PACO Academy
Course Offerings
The following courses are open to both Lower and Upper Level students:
Chamber Music from B to Z: communication, coaching, and staying friends
Teacher: Cary Chin
Class time: Sunday @ 10am
Lower & Upper Levels
What are the most important skills you need to be a successful chamber musician? Surprisingly, your ability to learn, teach, lead, follow, communicate, and empathize could have at least as much impact as your ability to play music! Playing chamber music while making new friends (and keeping old ones) requires teamwork, understanding, and compromise. Learn and practice these skills in this class aimed at heightening your chamber music experience, and making friends for a lifetime.
Cary Chin is a computer-industry veteran with over 30 years of experience building both computer hardware (CPU, memory) and software systems, and has taught computer science and programming courses for 2nd grade through college and graduate school at Stanford University. Cary is also a near-20-year veteran of PACO, from parent to Orchestra Coordinator, Board member, Secretary, and President, and currently serves on the PACO Board in the capacity of Ensemble Coordinator. He has three children, all of whom graduated from PACO in 2009 (Carson), 2013 (Delenn), and 2014 (Tessera), respectively.
From Muse to Music: Composing for String Players
Teacher: Irene Sazer
Class time: Tuesday @ 7pm
Lower & Upper Levels
This class will start with a tutorial on the music writing software program Muse Score. This is a free, user-friendly program that offers almost as much as professional programs. The basics are easy, and you’ll learn more and more details as we write throughout this 10 week course.
We’ll play composing games, share files, and co-compose pieces together. Melodies and patterns are easy to create and share with other students in the class to compose duets, trios, quartets, and even more multi-layered pieces. By the end of the term you will know how to use Muse Score well and hopefully be fearless about experimenting, playing with sound, melody, rhythm, and texture and feel free to create on your own or with musical friends.
Violinist Irene Sazer is an original member of the Turtle Island String Quartet, and the founder of the Real Vocal String Quartet (rvsq.com),and the Berkeley School of String Improvisation. Sazer's strong classical training, her experience and international collaboration in a vast array of musical styles, and her talent as an improviser, singer, composer, arranger and educator, make her a unique musical voice in the international community. Widely recorded and respected, Sazer's musicality and creativity continues to inspire and unfold.
Classical But Contemporary: A Survey of Modern Music from 1900-Today
Teacher: Michel Taddei
Class time: Saturday @ 4pm
Lower & Upper Levels
In this class we will examine the birth of Modernism in classical music at the turn of the twentieth century, and go on to look at a historical survey of musical trends since that time. The focus will be primarily on string instrument repertoire, and composers explored will include Bartók, Berg, Debussy, Ravel, Schoenberg, Shostakovich and Stravinsky, among others. We will look at more recent trends in composition including a return to tonality, minimalism, and improvisational music. Guest artists will make presentations on composing for string instruments and using extended techniques.
One of the Bay Area’s most sought-after double bass players Michel Taddei is Principal Bassist of the San Francisco Chamber Orchestra, the Berkeley Symphony, the Fremont Symphony, the Pacific Chamber Symphony, Symphony Napa Valley, and the Mendocino Music Festival, and is Assistant Principal Bass of the California Symphony. He has performed with the SF Symphony and New Century Chamber Orchestra as well. A passionate chamber musician, Michel is a founding member of the Left Coast Chamber Ensemble, and has performed with the Bella Trio, Empyrean Ensemble, Earplay, Quartet San Francisco, Musica Marin, Ensemble SF, the San Francisco Contemporary Music Players, the Saint Lawrence and Telegraph string quartets and with Yo Yo Ma and the Silk Road Ensemble on tours in the US and in Central Asia. Director of Artistic Administration at the Crowden Music Center in Berkeley, Michel has consulted for the California Symphony’s El Sistema-inspired program Sound Minds, and served as Education Consultant for Music at Kohl Mansion. An active teacher, Michel has been a longtime faculty member at PACO, the Crowden School, the Golden Gate Philharmonic the Oakland Youth Orchestra and Young People’s Symphony Orchestra, and has coached at UC Berkeley and UC Davis.
The following courses are open to Lower Level students only:
Ear Training /Music Theory
Teacher: Wendy Clymer, assistant Masako Yang
Class time: Thursday @ 7pm
Lower Level
This class will include similar topics as Wendy’s previous classes, with updates and improvements. If you took the class in Term 1 or Term 2 and would like more review and practice with the material, you are welcome to repeat the class.
Build your musicianship skills in this fun and interactive course. Develop your musical ear and understanding of the building blocks of music by singing and writing intervals, scales and chords. Class activities will include ear training practice, dictation (writing down what you hear), conducting, simple composition exercises and playing music games.
An essential class for students with little or no theory background, this class will open your eyes (and ears) to the inner workings of classical music and serve as a bridge to more advanced courses in composition and conducting.
Violist Wendy Clymer is an avid chamber musician and a passionate music educator. She is violist of the Persephone Chamber Ensemble and has performed with the San Francisco Chamber Orchestra, Symphony Napa Valley, Grace Note Chamber Players, Oklahoma City Philharmonic, Resonance Jazz Ensemble and at summer festivals in the U.S. and Europe. She was a founding member of the New York-based pop punk band Fake Brain. Wendy is on the faculty of the Crowden Music Center and the Palo Alto Chamber Orchestra, where she has coached chamber music and viola sectionals since 2006. She has held teaching positions at California State University East Bay, the Lafayette School District, and Summer in the City at San Jose State University and has served as president of the San Francisco area section of the American String Teachers Association. She received a B.A. from Brown University, studied viola performance at the Juilliard School and completed an M.M. at San Francisco Conservatory of Music.
The following courses are open to Upper Level students only:
An Exploration of American Music
Teacher: Michael Gilbertson
Class time: Saturday @ 4pm
Lower & Upper Level
What makes American music unique? This class will examine some of the musical styles and genres that are considered uniquely American. In addition to 19th and 20th Century American classical composers, will also explore Jazz, Musical Theater, Bluegrass, and Country/Folk Music, and more recent crossover genres.
Michael Gilbertson The works of Michael Gilbertson have been described as “elegant” and “particularly beautiful” by The New York Times, “vivid, tightly woven” and “delectably subtle” by the Baltimore Sun, “genuinely moving” by the Washington Post, and “a compelling fusion of new and ancient” by the Philadelphia Inquirer. He was one of three finalists for the 2018 Pulitzer Prize in Music for his Quartet. Michael’s published music includes choral works with Boosey & Hawkes and G. Schirmer, and orchestral works with Theodore Presser. Michael serves as artistic director of ChamberFest Dubuque, an annual summer festival he founded in 2009, and serves on the board of directors for the San Francisco Contemporary Music Players. Michael holds degrees from The Juilliard School and Yale. He has just completed three years as the San Francisco Chamber Orchestra’s Composer-in-Residence.
The Making of a Maestro:
The Art and Science of Conducting
Teacher: Ben Simon
Class time: Sunday @ 3:45pm
Lower & Upper Levels
Tap into your inner Maestro and find out what a conductor really does up there. This course will introduce you to all aspects of a conductor’s craft, from reading a score to developing clear and expressive baton technique. Along the way, we’ll learn about the instruments in the orchestra, how they sound, where they sit, how to cue, and how to manage them in a rehearsal. Through excerpts from well-known orchestral works we’ll learn beat patterns and “conductor choreography”, and have a chance to conduct your own virtual orchestra.
An intermediate level of music theory is strongly recommended, but not required.
Ben Simon has been the Music Director of the Palo Alto Chamber Orchestra since 2002, the same year he began his tenure with the professional San Francisco Chamber Orchestra. A violist by training and a chamber musician at heart, Ben finds conducting a challenging and multi-faceted activity and is looking forward to sharing his experience with our budding maestri within the PACO community.
Sound Installations: Design Your Own Musical Instrument
Teacher: Maita Eyzaguirre
Class time: Sunday @ noon
Lower & Upper Levels
Sound is everywhere and music can be found in so many everyday moments! This course will explore the connection between sound and space, by creating sonic pictures of the spaces we inhabit, both indoors and outdoors. We will begin by exploring the sounds that make up our everyday environment through active listening and field recordings. We will use contact mic’s, and amplifiers to design homemade instruments using common household items. The options are truly limitless, so let your creativity run free!
Through lectures and discussions, instrument design, and simple sound editing and composition strategies, we will collaborate to create a digital presentation of our work during this semester. This course will be a hands-on, fun, and a great place to explore making fun music with weird sounds. Sound installations are about music that lives in a certain space, and since this course will be digital, we will have tools set up for a digital presentation, but your presentations need not be limited to a digital format. This course will really be shaped by your interests and what you’d like to explore! I’m really looking forward to working with all of you.
Maita Eyzaguirre is a multimedia composer, pianist, and educator, raised in Italy, to Chilean and Trinidadian-American parents. She moved to the Bay Area after graduating from Brown University, where she studied composition with Eric Nathan and Wang Lu and sound installations/sound design with Butch Rovan. Her passion for composition has led her to explore different forms of electronic music, including integrated circuits and hand-built instruments, as well as contemporary concert music. At Brown, she engaged deeply in a refugee tutoring program where she developed a passion for culturally-competent education that focuses on building self-confidence and encouraging self-efficacy in youth. Maita joined PACO’s administrative staff last month as our new Office Assistant.
A History of Great String Playing
Teacher: Jory Fankuchen
Class time: Saturday @ 11am
Lower & Upper Levels
This class will be a tour through time of the audio and video recordings of our greatest string players. We will begin more than one hundred years ago with the likes of Sarasate and Ysaye, moving through Kreisler, Heifetz, Primrose and Casals, to Perlman, Zukerman and even a few from today. Through watching and listening to their performances, we will analyze how each player makes their unique sound and creates an individual interpretation. These artists constantly inspire me to want more from my own playing. I hope that this class will do the same for you, as well as give you new tools to help on your journey.
Violinist and violist Jory Fankuchen has built a reputation as an engaging performer of many genres, as well as a passionate pedagogue. In response to this versatility, the San Francisco Examiner recently raved that, Mr. Fankuchen’s “flamboyant” performance “created the illusion that Eugene Ysaye had been born in Argentina, possible in bed next to Jean Sibelius.” His ensembles include the San Francisco Chamber Orchestra, the Magik Magik Orchestra, Squid Inc., the Musical Art Quintet, the Chamber Music Society of San Francisco, and he appears as a regular guest with the New Century Chamber Orchestra. Jory has appeared as soloist with the Palo Alto Chamber Orchestra, the Berkeley Symphony, at the Tanglewood Music Center, and has the distinction of performing on Jascha Heifetz’s Guarneri del Gesu violin at the Legion of Honor.
Chamber music has always been the driving force behind Jory’s passion for music. He has performed in concert with artists such as Robert Mann, Joseph Silverstein, Joel Krosnick, Bonnie Hampton, Mark Sokol, and Ian Swensen. As first violinist of the Kailas String Quartet, he performed throughout North America, winning first prize in the Chamber Music International Competition, and silver at the National Fischoff Competition. Jory Serves on the faculty of the Crowden Music Center, the Palo Alto Chamber Orchestra, and most recently as a visiting lecturer at Cornell University. He holds a B.M. from the San Francisco Conservatory, and an M.M. from the New England Conservatory, where he studied with Ian Swensen and Lucy Chapman, respectively.
Finding Your Inner Voice: An Introduction to Improvisation and Playing By Ear
Teacher: Evan Price
Class time: Monday @ 7pm
Lower & Upper Levels
As classical musicians, we train hard to make written music come off the page. But what happens when there is no page? In this course, we will gently wade out into the uncharted waters of improvised music, reconnecting our fingers to our ears and to the voices inside of us. From call-and-response exercises to modal improvisation to chord changes, students will get a complete overview of the non-classical arts.
Evan Price is a violinist and composer best known for his work as a 10-year member of the Turtle Island Quartet and for his 20+ years of gypsy jazz with The Hot Club of San Francisco. His playing and writing have been featured on numerous CD’s by those ensembles and many others. An alumnus of the Cleveland Institute of Music and Berklee College of Music, Evan is at home in classical music, jazz, and various fiddling genres. His compositions and arrangements for such ensembles as Chanticleer, New Century Chamber Orchestra, San Jose Chamber Orchestra, and San Francisco Chamber Orchestra reflect that broad expertise. He is a former US Scottish Fiddling Champion, Kentucky State Fiddling Champion, Canadian Junior Fiddling Champion, and the recipient of 2 GRAMMY® awards for his work with Turtle Island. Evan is also the star of Evan Price Day, an annual event at PACO Camp which culminates in a jazz improvisation workshop with the PACO Festival Orchestra.
Quartetifying 101: Arranging for String Ensembles
Teacher: Peyton Lee and Waverly Long
Class time: Tuesday @ 7pm
Lower & Upper Levels
Do you have a favorite song or piece you’ve always wanted to play with your PACO pals but never been able to find sheet music for? Fret no longer! After taking this class, you’ll be able to turn any song or piece into a spicy (caliente) string quartet, trio, duet, or other ensemble to pull out at any occasion!
In this course, we’ll go over how to transcribe the melody of a song or piece and distribute it through different parts, write countermelodies and engaging supporting lines, add your own spin to well-known songs, and replicate percussive sounds and other instrumental effects in a string arrangement. Experience with MuseScore, a free music writing software program, will be helpful but is not required—we will go over everything you need to know at the beginning of the course. Get excited to dive into your favorite pop songs, movie scores, or orchestral works! The course will cover arranging for all string ensembles, but will focus on string quartets.
Violinist, violist, and pianist Peyton Lee is a freshman at Stanford University studying piano performance. As a multi-instrumentalist, arranger, and producer, he engages with music in a myriad of mediums. Some of his recent work includes composing a piano concerto, revamping the PACO gig book, a collection of thirty instrumental pop covers, and playing in the Stanford Symphony Orchestra. Peyton graduated from PACO in 2020.
Violinist Waverly Long is currently studying violin performance and journalism at Northwestern University. Previously, she was concertmaster of Palo Alto Chamber Orchestra and co-founder and co-president of Paly Chamber Musicians. She won the Palo Alto Chamber Orchestra Concerto Competition in 2017, and in 2016, her string quartet was awarded first place in American Protege International Competition and Santa Cruz Baroque Festival Youth Chamber Music Competition, and performed in Carnegie Hall’s Weill Recital Hall. Waverly also has experience coaching young chamber ensembles and teaching violin and viola. In her free time, she loves busking downtown, performing in senior centers, and arranging string quartets.